This first book in a three-volume collection of Georges Bataille's essays introduces English readers to his philosophical and critical writings. In the aftermath of the Second World War, French thinker and writer Georges Bataille forged a singular path through the moral and political impasses of his age. In 1946, animated by "a need to live events in an increasingly conscious way," and to reject any compartmentalization of intellectual life, Bataille founded the journal Critique. Adopting the format of the review essay, he surveyed the post-war cultural landscape while advancing his reflections on excess, non-knowledge, and the general economy. Focusing on literature as a mode of sovereign uselessness, he tackled prominent and divisive figures such as Henry Miller and Albert Camus. In keeping with Critique's mission to explore the totality of human knowledge, Bataille's articles did not just focus on the literary but featured important reflections on the science of sexuality, the Chinese Revolution, and historical accounts of drunkenness, among other matters. Throughout, he was attuned to how humanity would deal with the excessive forces of production and destruction it had unleashed, his aim being a way of thinking and living that would inhabit that excess. This is the first of three volumes collecting Bataille's post-war essays. Beginning with an article on Nietzsche and fascism written shortly after the liberation of Paris and running to the end of 1948, these texts make available for the first time in English the systematic diversity of Bataille's post-war thought.

In a world shaken by ecological, economic and political crises, the forces of authoritarianism and reaction seem to have the upper hand. How should we name, map and respond to this state of affairs? Late Fascism turns to theories of fascism produced in the past century, testing their capacity to illuminate our moment and challenging many of the commonplaces that debate on this extremely charged term devolves into. It can be tempting for any contemporary assessment of fascism to reach for historical analogy. Fascism is defined by returns and repetitions, but it is not best approached in terms of steps and checklists dictated by a selective reading of Italian Fascism or National Socialism. Rather than treating fascism as an unrepeatable phenomenon or identifying it with a settled configuration of European parties, regimes, and ideologies, Toscano approaches fascism as a problem and a process, one that is intimately linked to capitalism's demands for domination. Drawing especially on Black radical and anti-colonial theories of racial fascism, Late Fascism makes clear the limits of identifying fascism simply with the political violence of bygone European regimes. Developing anti-fascist theory is a vital and urgent task. From the "Great Replacement" to campaigns against critical race theory and "gender ideology", today's global far-right is launching lethal panics about the threats to traditional political, sexual and racial regimes. Late Fascism allows us to rediscover some truly inspiring anti-fascist thinkers, rooted in their turn in largely anonymous collective practices of worldmaking against domination, traditions of the oppressed that remain a resource for those set on dismantling the hierarchies and segregations that the partisans of Order and Tradition seek to revive and reimpose.

A timely book addressing the burning concerns of our times, from the excesses of capitalism to the global crisis of leadership.   There is widespread agreement, across a voluble political spectrum and around the planet, that we live in times of intensifying insecurity and turmoil. If ours is an age of transition, its direction is anything but certain. Momentous transformations in ecology, geopolitics, and everyday life are shadowed by a suffocating sense of stasis. The limits to capital and the limits of nature are entangled in frightful ways, while the profoundly obsolete form of leadership, domination, and conflict exacerbate an already baleful situation. And yet struggles for liberation have not been quelled. Terms of Disorder confronts this moment by probing some of the defining terms in the modern vocabulary of emancipation, with the aim of testing their capacity to name and orient collective action set on abolishing the present state of things. Ranging from communism to leadership, the eleven keywords addressed in this book provide a set of interlocking points of entry into the common task of forging a political language capable of navigating our disorientation. If, as Gramsci famously noted, the interregnum is a time when the new struggles to be born while the old order is moribund, we may wish to heed Cedric Robinson’s call to “choose wisely among the dying.�  

It's a pretty long story, Primo Levi tells a classroom of children, so I'll try to make it simple. Translated from the original Italian, this hauntingly illustrated comic tells the story of the Italian Jewish chemist who survived the camps at Auschwitz against all odds. Matteo Mastragostino draws on historical research, interviews, and Levi's own landmark books to piece together a fictionalized yet profoundly intimate portrait of a courageous figure. In the scene that emerges, Levi visits a group of schoolchildren to retell his life story and keep the memory of the Holocaust alive, answering innocent questions with hard truths. Sobering yet tender, Primo Levi extends a rare opportunity for readers both young and old to deepen their understanding of life, death, and the human spirit.

A brief study of select Western art from Italy's foremost philosopher. In Renaissance palaces, the studiolo was a small room to which the prince withdrew to meditate or read, surrounded by paintings he particularly loved. This book is a kind of studiolo for its author, Giorgio Agamben, as he turns his philosophical lens on the world of Western art. Studiolo is a fascinating take on a selection of artworks created over millennia; some are easily identifiable, others rarer. Though they were produced over an arc of time stretching from 5000 BCE to the present, only now have they achieved their true legibility. Agamben contends that we must understand that the images bequeathed by the past are really addressed to us, here and now; otherwise, our historical awareness is broken. Notwithstanding the attention to details and the critical precautions that characterize the author's method-they provoke us with a force, even a violence, that we cannot escape. When we understand why Dostoevsky feared losing his faith before Holbein's Body of the Dead Christ, when Chardin's Still Life with Hare is suddenly revealed to our gaze as a crucifixion or Twombly's sculpture shows that beauty must ultimately fall, the artwork is torn from its museological context and restored to its almost prehistoric emergence. These artworks are beautifully reproduced in color throughout Agamben's short but significant addition to his scholarly oeuvre in English translation.

Italy, 1943\. Although allied with Hitler, there were those who refused to accept the fascist policies of racial discrimination and deportation. Among them was Gino Bartali. A champion cyclist, he won the Giro d'Italia (Tour of Italy) three times and the Tour de France twice. But these weren't his only achievements. Deeply religious, Bartali never spoke about what he did during those dark years, when he agreed to work with the Resistance and pass messages from one end of the country to the other. Despite the dangers, Bartali used his training as a pretext to criss-cross Italy, hiding documents in the handlebars and saddle of his bicycle, all the while hoping that each time he was searched they wouldn't think to disassemble his machine. As a result of his bravery, 800 Jews including numerous children were saved from deportation. He died in Florence in 2000 and was recognised as one of the 'Righteous Among the Nations' in 2013. In this book, Alberto Toscano shares the incredible story of this great sportsman and recalls the dramatic moments in Italy and Europe in the twentieth century.

Originally published in Italian in 1965, A Test of Powers was immediately seen as one of the central texts of Italian intellectual life. By the time of the 1968 student revolts, it was clear that Franco Fortini had anticipated many of the themes and concerns of the New Left, which is no surprise, given that Fortini had spent more than two decades immersed in fierce ideological debates over anti-Fascism, organizing, the alliance between progressivism and literature, and other topics that found their way into A Test of Powers. In addition to politically focused essays, the book also features essays on a range of writers who influenced Fortini, including Kafka, Pasternak, Eric Auerbach, Proust, and Brecht. Praise for Fortini's The Dogs of the Sinai "An elegant and provocative project -- the first book of Fortini's prose to appear in English translation -- that challenges one's political assumptions about the conflict between Israel and Palestine, not only at the time of the Six-Day War but also today. . . . Toscano has done a masterful job of rendering Fortini's often difficult prose into a fluid and concise English."--Los Angeles Review of Books "Forensic and devastating."--Times Literary Supplement "Fortini's poetic production, literary criticism, political writings, translations, and journalism have assured him a position of the first rank among intellectuals of the Italian postwar period."--Italica

Didacticism, romanticism, and classicism are the possible schemata for the knotting of art and philosophy, the third term in this knot being the education of subjects, youth in particular. What characterizes the century that has just come to a close is that, while it underwent the saturation of these three schemata, it failed to introduce a new one. Today, this predicament tends to produce a kind of unknotting of terms, a desperate dis-relation between art and philosophy, together with the pure and simple collapse of what circulated between them: the theme of education. Whence the thesis of which this book is nothing but a series of variations: faced with such a situation of saturation and closure, we must attempt to propose a new schema, a fourth type of knot between philosophy and art. Among these "inaesthetic" variations, the reader will encounter a sustained debate with contemporary philosophical uses of the poem, bold articulations of the specificity and prospects of theater, cinema, and dance, along with subtle and provocative readings of Fernando Pessoa, Stephane Mallarme, and Samuel Beckett.

The past decade has witnessed a resurgence of interest in Marxism both within and without the academy. Marxian frameworks, concepts and categories continue to be narratively relevant to the features and events of contemporary capitalism. Most crucially, an attention to shifting cultural conditions has lead contemporary researchers to re-confront some classical and essential Marxist concepts, as well as elaborating new critical frameworks for the analysis of capitalism today. The SAGE Handbook of Marxism showcases this cutting-edge of today's Marxism. It advances the debate with essays that rigorously map and renew the concepts that have provided the groundwork and main currents for Marxist theory, and showcases interventions that set the agenda for Marxist research in the 21st century. A rigorous and challenging collection of scholarship, this book contains a stunning range of contributions from contemporary academics, writers and theorists from around the world and across disciplines, invaluable to scholars and graduate students alike. Part 1: Reworking the critique of political economy Part 2: Forms of domination, subjects of struggle Part 3: Political perspectives Part 4: Philosophical dimensions Part 5: Land and existence Part 6: Domains Part 7: Inquiries and debates

In 1936, Walter Benjamin defined the revolutionary class as being in opposition to a dense and dangerous crowd, prone to fear of the foreign, and under the spell of anti-Semitic madness. Today, in formations great or small, that sad figure returns the hatred of minorities is rekindled and the pied-pipers of the crowd stand triumphant.Class, by Andrea Cavalletti, is a striking montage of diverse materials Marx and Jules Verne, Benjamin and Gabriel Tarde. In it, Cavalletti asks whether the untimely concept of class is once again thinkable. Faced with new pogroms and state racism, he challenges us to imagine a movement that would unsettle and eventually destroy the crowd.

Didacticism, romanticism, and classicism are the possible schemata for the knotting of art and philosophy, the third term in this knot being the education of subjects, youth in particular. What characterizes the century that has just come to a close is that, while it underwent the saturation of these three schemata, it failed to introduce a new one. Today, this predicament tends to produce a kind of unknotting of terms, a desperate dis-relation between art and philosophy, together with the pure and simple collapse of what circulated between them: the theme of education.
Whence the thesis of which this book is nothing but a series of variations: faced with such a situation of saturation and closure, we must attempt to propose a new schema, a fourth type of knot between philosophy and art.
Among these "inaesthetic" variations, the reader will encounter a sustained debate with contemporary philosophical uses of the poem, bold articulations of the specificity and prospects of theater, cinema, and dance, along with subtle and provocative readings of Fernando Pessoa, Stephane Mallarme, and Samuel Beckett.

Can capital be seen? Cartographies of the Absolute surveys the disparate answers to this question offered by artists, film-makers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artefacts that wrestle with the vastness, invisibility and complexity of the abstractions that rule our lives.

A celebrated theorist examines the conditions of work, employment, and unemployment in neoliberalism's flexible and precarious labor market. In Experimental Politics, Maurizio Lazzarato examines the conditions of work, employment, and unemployment in neoliberalism's flexible and precarious labor market. This is the first book of Lazzarato's in English that fully exemplifies the unique synthesis of sociology, activist research, and theoretical innovation that has generated his best-known concepts, such as "immaterial labor." The book (published in France in 2009) is also groundbreaking in the way it brings Foucault, Deleuze, and Guattari to bear on the analysis of concrete political situations and real social struggles, while making a significant theoretical contribution in its own right. Lazzarato draws on the experiences of casual workers in the French entertainment industry during a dispute over the reorganization ("reform") of their unemployment insurance in 2004 and 2005. He sees this conflict as the first testing ground of a political program of social reconstruction. The payment of unemployment insurance would become the principal instrument for control over the mobility and behavior of the workers. The flexible and precarious workforce of the entertainment industry prefigured what the entire workforce in contemporary societies is in the process of becoming: in Foucault's words, a "floating population" in "security societies." Lazzarato argues further that parallel to economic impoverishment, neoliberalism has produced an impoverishment of subjectivity-a reduction in existential intensity. A substantial introduction by Jeremy Gilbert situates Lazzarato's analysis in a broader context.

Logics of Worlds is the sequel to Alain Badiou's masterpiece, Being and Event. Tackling the questions that had been left open by Being and Event, and answering many of his critics in the process, Badiou supplements his pioneering treatment of multiple being with a daring and complex theory of the worlds in which truths and subjects make their mark - what he calls a materialist dialectic. Drawing on his most ambitious philosophical predecessors - Leibniz, Kant, Hegel, Kierkegaard, Lacan, Deleuze - Badiou ends this important later work with an impassioned call to 'live for an Idea'.

Antonio Negri, the renowned co-author of 'Empire', provides this study of the founder of modern philosophy. The book is available in English for the first time.

Alain Badiou is arguably the most important and original philosopher working in France today. Swimming against the tide of postmodern orthodoxy, Badiou's thought revitalizes philosophy's perennial attempt to provide a systematic theory of truth. This volume, assembled with the collaboration of the author, presents for the first time in English a comprehensive outline of Badiou's ambitious system. Starting from the controversial assertion that ontology is mathematics, this volume sets out the theory of the emergence of truths from the singular relationship between a subject and an event. Also included is a substantial excerpt from Badiou's forthcoming work on the logics of appearance and the concept of world, presented here in advance of its French publication. Ranging from startling re-readings of canonical figures (Spinoza, Kant and Hegel) to decisive engagements with poetry, psychoanalysis and radical politics, Theoretical Writings is an indispensable introduction to one of the great thinkers of our time. The volume includes a preface by Alain Badiou, an extensive editor's introduction, and a glossary of key terms.

Logics of Worlds is the long-awaited sequel to Alain Badiou's much-heralded masterpiece, Being and Event. Tackling the questions that had been left open by Being and Event, and answering many of his critics in the process, Badiou supplements his pioneering treatment of multiple being with a daring and complex theory of the worlds in which truths and subjects make their mark - what he calls a materialist dialectic. The radical recasting of ontology in Being and Event is followed and complemented here by a thoroughgoing transformation in our very understanding of logic, conceived as a theory not of being but of appearing. Unafraid to resurrect and reinvent the classical themes of philosophy, Badiou gives new meaning to concepts such as object, body and relation, mobilising them in arresting studies that range from the architectural planning of Brasilia to contemporary astronomy, and confronting himself with towering philosophical counterparts (Leibniz, Kant, Hegel, Kierkegaard, Lacan, Deleuze). The book culminates in an impassioned call to 'live for an Idea'.

Badiou and Hegel: Infinity, Dialectics, Subjectivity offers critical appraisals of two of the dominant figures of the Continental tradition of philosophy, Alain Badiou and G.W.F. Hegel. Jim Vernon and Antonio Calcagno bring together established and emerging authors in Continental philosophy to discuss the relationship between the thinkers, creating a multifarious collection of essays by Hegelians, Badiouans, and those sympathetic to both. The text privileges neither thinker, nor any particular topic shared between them; rather, this book lays a broad and sound foundation for future scholarship on arguably two of the greatest thinkers of infinity, universality, subjectivity, and the enduring value of philosophy in the modern Western canon. Assuredly overdue, this volume will attract Hegel and Badiou scholars, as well as those interested in post-structuralism, political philosophy, cultural studies, ontology, philosophy of mathematics, and psychoanalysis.

Alain Badiou is arguably the most original and influential philosopher working in France today. Working against the tide of postmodern orthodoxy, Badiou revitalizes philosophy's perennial attempt to provide a systematic theory of truth. Theoretical Writings presents, in Badiou's own words, 'the theoretical core of [his] Philosophy'. Beginning with the controversial assertion that ontology is mathematics, the chapters step the reader through his key concepts of being, subject and truth via startling re-readings of canonical figures including Spinoza, Kant and Hegel and engagements with poetry, psychoanalysis and radical politics. Theoretical Writings is an indispensable introduction to one of the great thinkers of our time.

Do not be afraid, join us, come back! You've had your anti-communist fun, and you are pardoned for it-time to get serious once again!-Slavoj Zizek Responding to Alain Badiou's 'communist hypothesis', the leading political philosophers of the Left convened in London in 2009 to take part in a landmark conference to discuss the perpetual, persistent notion that, in a truly emancipated society, all things should be owned in common. This volume brings together their discussions on the philosophical and political import of the communist idea, highlighting both its continuing significance and the need to reconfigure the concept within a world marked by havoc and crisis.

Alain Badiou is arguably the most important and original philosopher working in France today. Swimming against the tide of postmodern orthodoxy, Badiou's thought revitalizes philosophy's perennial attempt to provide a systematic theory of truth. This volume, assembled with the collaboration of the author, presents for the first time in English a comprehensive outline of Badiou's ambitious system. Starting from the controversial assertion that ontology is mathematics, this volume sets out the theory of the emergence of truths from the singular relationship between a subject and an event. Also included is a substantial excerpt from Badiou's forthcoming work on the logics of appearance and the concept of world, presented here in advance of its French publication. Ranging from startling re-readings of canonical figures (Spinoza, Kant and Hegel) to decisive engagements with poetry, psychoanalysis and radical politics, Theoretical Writings is an indispensable introduction to one of the great thinkers of our time. The volume includes a preface by Alain Badiou, an extensive editor's introduction, and a glossary of key terms.

Alain Badiou is arguably the most important and original philosopher working in France today. Swimming against the tide of postmodern orthodoxy, Badiou's thought revitalizes philosophy's perennial attempt to provide a systematic theory of truth. This volume, assembled with the collaboration of the author, presents for the first time in English a comprehensive outline of Badiou's ambitious system. Starting from the controversial assertion that ontology is mathematics, this volume sets out the theory of the emergence of truths from the singular relationship between a subject and an event. Also included is a substantial excerpt from Badiou's forthcoming work on the logics of appearance and the concept of world, presented here in advance of its French publication. Ranging from startling re-readings of canonical figures (Spinoza, Kant and Hegel) to decisive engagements with poetry, psychoanalysis and radical politics, Theoretical Writings is an indispensable introduction to one of the great thinkers of our time. The volume includes a preface by Alain Badiou, an extensive editor's introduction, and a glossary of key terms.

The idea of fanaticism as a deviant or extreme variant of an already irrational set of religious beliefs is today invoked by the West in order to demonize and psychologize any non-liberal politics. Alberto Toscano's compelling and erudite counter-history explodes this accepted interpretation in exploring the critical role fanaticism played in forming modern politics and the liberal state. Tracing its development from the traumatic Peasants' War of early sixteenth-century Germany to contemporary Islamism, Toscano tears apart the sterile opposition of 'reasonableness' and fanaticism. Instead, in a radical new interpretation, he places the fanatic at the very heart of politics, arguing that historical and revolutionary transformations require a new understanding of his role. Showing how fanaticism results from the failure to formulate an adequate emancipatory politics, this illuminating history sheds new light on an idea that continues to dominate debates about faith and secularism.

Badiou and Hegel: Infinity, Dialectics, Subjectivity offers critical appraisals of two of the dominant figures of the Continental tradition of philosophy, Alain Badiou and G.W.F. Hegel. Jim Vernon and Antonio Calcagno bring together established and emerging authors in Continental philosophy to discuss the relationship between the thinkers, creating a multifarious collection of essays by Hegelians, Badiouans, and those sympathetic to both. The text privileges neither thinker, nor any particular topic shared between them; rather, this book lays a broad and sound foundation for future scholarship on arguably two of the greatest thinkers of infinity, universality, subjectivity, and the enduring value of philosophy in the modern Western canon. Assuredly overdue, this volume will attract Hegel and Badiou scholars, as well as those interested in post-structuralism, political philosophy, cultural studies, ontology, philosophy of mathematics, and psychoanalysis.